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Review Showtime at Los Angeles's Summit Club in 1972. Milton's intensity level hits summits where only the most emotionally involved testifier can breathe the air, and his B. B. King-style guitar jabs the listener like a recently sharpened darning needle, especially during Otis Rush's "I Can't Quit You Baby." Milton's band slouches only during the anticlimatic show closer, "Walking the Back Streets and Crying." -- © Frank John Hadley 1993 -- From Grove Press Guide to Blues on CD